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Gerry Serviente has been a church musician since the age of 10. She has served as organist, choir director, cantor, choir member, pianist, guitarist, and now harpist in several Roman Catholic churches in Maryland, Virginia and Pennsylvania. She also has experience as an organist and choir director in two Evangelical Lutheran churches. If one area of music can be said to be her focal point, it is church music. Gerry came late to the harp, celebrating her 50th birthday by buying her first harp. Combining her new love with the old, she uses her harp to enhance worship, playing both solo and ensemble music for Sunday Masses and for weddings, funerals, vesper services, and other para-liturgical events. She has developed techniques for harp accompaniment along with the organ during congregational song. Gerry is the founder and former director of this festival. She has now retired to spend more time with her harps and with the Cumberland Valley Harpers, a harp club she started several years ago.
Presenter website: Harp 'n Fish
Poise, professionalism and a wide-ranging familiarity with different harps and repertoire characterize some of what Margaret Sneddon brings to Somerset. Equally at home on a cruise ship or founding a harp ensemble. As a teacher Margaret tailors her instruction to meet the needs of each student although she has a particular focus teaching even the shyest students to play with other musicians in ensemble settings. Besides seeing her workshop presentation, you can catch up with her in the R Harps booth, whom she is also representing at the festival.
Presenter website: Margaret Sneddon
Maureena integrates every aspect of her background in body work with shiatsu, reflexology and tai chi into her approach to harp, which she has been playing for 16 years. She is presenting two workshops at Somerset this year sans harp.
As a graduate of Meridian Shiatsu Institute in Wayne, Pennsylvania and a Shiatsu practitioner for over 21 years, she is a registered JinShinDo® practitioner and reflexologist, and is certified in Lymphasizing from the International Academy of Lymphology. These interests have led her to many avenues of healing, including membership in the International Harp Therapy Program. She is founder of Harps of Mercy® serving Eastern Pennsylvania and Delaware regions.
Presenter website: Harps of Mercy
Versatility and a willingness to explore—different musical genres, different types of harps and different settings in which to play, characterize Sunita’s career. At eight Sunita was already deeply interested in music, playing flute, harp and piano. The next twenty years were spent studying mostly classical music, with such eminent harpists as Lucile Lawrence, Lily Laskin, and Judith Liber. While living in Jerusalem during the mid-'80's, Sunita began arranging various styles of Jewish music for the harp. More recently she has been working as a therapeutic musician in a chidren's hospital near Tel Aviv. She has participated in two studies to measure the effect of music on premature babies. Sunita has played under the baton of conductors such as Phillipe Brunelle and Claudio Abbado but her passion is traditional music. With more than a dozen recordings to choose from and many books of arrangements from classical, sacred, Celtic and Jewish music, Sunita has something to offer to every aspiring harper.
Presenter website: Sunita Staneslow
Tokyo-born Tomoko Sugawara began playing Irish harp when she was 12 and graduated from the Tokyo University of Fine Arts with concert harp as her main instrument. For the past 20 years she has specialized in playing the kugo, the ancient angular harp, and played the kugo at major international venues, such as the World Harp Congress (in Prague and Amsterdam), Columbia, Harvard, and Princeton Universities, as well as The British Museum. She has two solo CDs of concert harp and recently released "Along the Silk Road", the first ever recording of the kugo.
Tomoko's appearance is underwritten in part by the Japan Foundation and Asahi Beer Arts Foundation.
Presenter website: Kugo Harp
Carol Thompson began playing classical harp at age 13, but other genres soon spoke to her. Although better known for playing Irish music, a lifelong interest in medieval and renaissance history also led her to Early Music. She has been a long time performer with the Moravian College Collegium Musicum, and a guest artist with the Baltimore Consort. She taught Irish harp at the Augusta Heritage Workshops for many years and has five solo CDs to her credit. Active as a side musician, she played with Paul Winter on his Grammy-winning CD “Celtic Solstice.” Carol teaches privately and at the Eastern Conservatory for Music and Arts in Oldwick, NJ. In addition to teaching her workshop at Somerset this year, she also has a table from which she’ll sell her handcrafted jewelry.
Presenter website: Carol Thompson
Venezuelan, Angel Tolosa began playing the harp in his native city, Caracas, at 14, studying first with Solomon Villegas, and next with Carlos ‘Metralleta’ Orozco, who became his foremost mentor. Angel combines technical and composition skills with strong rhythmic ability, enabling him to freely cross over into several genres, Bossa Nova, Jazz, Bluegrass, and World Music among others. Angel is in demand to accompanied many prominent Venezuelan singers with his back-up compositions in the Creole style. With his brother, Jose,who plays the Cuatro (a small guitar), and two others, he formed the group Ensamble A Contratiempo where they play in a variety of Venezuelan styles, including pieces strictly for harp. They presently have one album Katuketi and are preparing another. As well as touring, both brothers represent and promote their craft as members of Musical Foundations and as teachers in Central and South America.
Presenter website: Ensamble Contratiempo
Trained in the Breton tradition by the harpers Brigitte Baronnet and Catherine N’Guyen at the Conservatoire National de Region de Nantes, Clothilde Trouillarde has delighted audiences with what reviewers have characterized as music both quiet and delicate but also intense and surprising. Today Clothilde often plays solo, offering her own repertoire and interpretations of music profoundly informed by her studies in traditional Breton music. Clothilde has participated in a number of music festivals, including being among the founders of the Yaouank and Roue Waroch festivals. She is part of a group named Sylbat as well as a harp trio, Fileuses de Nuit with whom she regularly performs.. Clothilde teaches and regularly performs in France and abroad. Among her CD’s are a solo album, one with Sylbat and two with Fileuses.
Presenter website: Clotilde Trouillaud
Versatile and innovative, April Stace Vega is at home playing classical or improvising jazz on the harp. Reviewers have written of her ensemble, Harp 46, “April combines lyrical harp playing over a world-beat rhythm” and “conventionality goes out the window” April began her studies on the classical harp as a child, graduating from the University of Maryland with a B.A. in Harp and Music in 2001. Since then she has performed regularly near her home base in Maryland, including the Kennedy Center, the White House, as well as touring nationally with her ensemble, Harp 46. April lives in Maryland where she teaches privately and serves on the Arts Advisory Board as well as practicing and performing with Harp 46, world fusion music on harp, bass and percussion. The group has released four recordings.
Presenter website: Harp 46
Every concert, for Frank Voltz, is an joyful and humble effort to communicate his faith and his love of music. Equally comfortable playing classical or gospel jazz harp, Frank keeps his concerts lively and fun with his fresh and exciting ‘jazzy’ arrangements of traditional hymns. After several years of study of classical harp in Frank discovered jazz gospel harp, and in 1997 he competed in and came in second in the Lever Division of the Lyon & Healy Jazz and Pop Festival. He is an accomplished teacher of jazz technique, and has instruction for the beginner basics, with simple concepts and technique all the way to advanced work in improvisation, and even a course for harp teachers in how to bridge the gap between classical and jazz harp. Frank will bring many CDs and lots of arrangements to offer at this year’s Somerset music table.
Presenter website: Frank Voltz
Sarajane Williams life is totally immersed in the world of harp. Williams is a founding member of The National Standards Board for Therapeutic Musicians. It's no wonder she is deeply involved in harp therapy, with over 35 years of experience in various roles in the healing arts as a nurse, cardiopulmonary technologist, director of a cardiac catheterization laboratory and biofeedback therapist in a chronic pain center. She is a lecturer and author of The Mythic Harp and Good Vibrations: Principles of Vibroacoustic Harp Therapy, editor of The Harp Therapy Journal, and producer of the Therapeutic Harp: ancient legacy, sound science, clinical applications 3-DVD set. As a professional harpist and teacher, she also performs with her classical guitarist husband Ted Williams. We welcome her back to the festival as a presenter this year after a long absence from our roster. She and Ted can also be found at the harptherapy.com booth in the Exhibit Hall. If you are interested in a private Vibroacoustic Harp Therapy session with Sarajane at the festival, please contact Sarajane directly by email to inquire about fees and schedule or chat at their booth to schedule.
Presenter website: Vibroacoustic Harp Therapy
I am so pleased to announce that Janet Witman was added to our roster on 5/17/12, replacing Stephanie Curcio, who had to cancel.
From the Curtis Institute to the Fair Hill Scottish Games, Janet Jackson Witman has gracefully moved back and forth between the realms of classical and celtic harp music. After years of enjoying Scottish and Irish Music, Janet made the leap to playing. In the past 10 years Janet has won the U.S. National Scottish Harp Championship, the All Eastern Scottish Harp Championship. In her private studio Janet works with over 30 harp students, many of whom have won scholarships and awards.
She has also been on the faculty of the Ohio Scottish Arts School and “Beginning in the Middle” as well as heading a harp program at the Wilmington Music School. Janet can offer numerous arrangements for harp ensembles and her recordings.include Christmas Crossings and Celtic Journeys with Brandywine Harps, which she arranged and produced. She led her Brandywine Harps to the Edinburgh Harp Festival in 2009 to perform her arrangements and her Somerset harp ensemble's performance at last year's festival was one of the festival hightlights.
Performer website: Brandywine Harps
David Yunghans is the regional development director at Constant Contact in the Philadelphia area. He does not play harp but loves the harp! With experience as a small business owner, David brings a wealth of knowledge in the areas of business development, professional training, and corporate meeting planning to help small businesses and non-profits achieve success. He has served as a training and development resource and has built customized team building programs for numerous small businesses in the insurance, property management and hotel industries. Somerset is glad to leverage David's training and business development expertise to help our professional and wannabe-professional harpists maximize the power of relationship marketing through the use of online communication tools like email marketing and social media. .
Presenter website: Constant Contact